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Volume 1 • Issue 1 • 2022 • Crossroads
Letters to the Editor
From the Desk of the Editor-In-Chief
- Omiyẹmi (Artisia) Green
Volume 1 • Issue 1 • 2022 • Crossroads • 1-3
If All the World's a Stage, Why Are Some Left Out of the Spotlight?
- Cris Eli Blak
Volume 1 • Issue 1 • 2022 • Crossroads • 5-8
Articles
A Hidden Figure: Beth Turner and Black Masks at the Crossroads of Art, Pedagogy, and Innovation
- Khalid Y. Long
Volume 1 • Issue 1 • 2022 • Crossroads • 9-16
Preparing Soul Food: Investigating Performativity vis-á-vis Cultural Memory
- Michelle Cowin Gibbs
Volume 1 • Issue 1 • 2022 • Crossroads • 17-26
“A [B]lack Baudelaire”: Linguistic Panic and Symbolism in Amiri Baraka’s 1960s Life and Work
- Shadow David Zimmerman
Volume 1 • Issue 1 • 2022 • Crossroads • 27-42
Queering the Politics of Black Respectability in Plays of the Black Revolutionary Theatre
- Kristyl D. Tift
Volume 1 • Issue 1 • 2022 • Crossroads • 43-54
An Angel, a Thief, and a Mothership: Imaginative Considerations of Black Being
- Danielle A.D. Howard
Volume 1 • Issue 1 • 2022 • Crossroads • 55-69
Say Their Names: Drama of the Black Lives Matter Era
- Deborah R. Geis
Volume 1 • Issue 1 • 2022 • Crossroads • 71-80