• Volume 1 • Issue 1 • 2022 • Crossroads

    Volume 1 • Issue 1 • 2022 • Crossroads


Letters to the Editor


From the Desk of the Editor-In-Chief

From the Desk of the Editor-In-Chief

Omiyẹmi (Artisia) Green

2022-07-24 Volume 1 • Issue 1 • 2022 • Crossroads • 1-3

If All the World's a Stage, Why Are Some Left Out of the Spotlight?

If All the World's a Stage, Why Are Some Left Out of the Spotlight?

Cris Eli Blak

2022-07-24 Volume 1 • Issue 1 • 2022 • Crossroads • 5-8

Articles


A Hidden Figure: Beth Turner and Black Masks at the Crossroads of Art, Pedagogy, and Innovation

Khalid Y. Long

2022-07-24 Volume 1 • Issue 1 • 2022 • Crossroads • 9-16

Preparing Soul Food: Investigating Performativity vis-á-vis Cultural Memory

Preparing Soul Food: Investigating Performativity vis-á-vis Cultural Memory

Michelle Cowin Gibbs

2022-07-24 Volume 1 • Issue 1 • 2022 • Crossroads • 17-26

“A [B]lack Baudelaire”: Linguistic Panic and Symbolism in Amiri Baraka’s 1960s Life and Work

“A [B]lack Baudelaire”: Linguistic Panic and Symbolism in Amiri Baraka’s 1960s Life and Work

Shadow David Zimmerman

2022-07-24 Volume 1 • Issue 1 • 2022 • Crossroads • 27-42

Queering the Politics of Black Respectability in Plays of the Black Revolutionary Theatre

Queering the Politics of Black Respectability in Plays of the Black Revolutionary Theatre

Kristyl D. Tift

2022-07-24 Volume 1 • Issue 1 • 2022 • Crossroads • 43-54

An Angel, a Thief, and a Mothership: Imaginative Considerations of Black Being

An Angel, a Thief, and a Mothership: Imaginative Considerations of Black Being

Danielle A.D. Howard

2022-07-24 Volume 1 • Issue 1 • 2022 • Crossroads • 55-69

Say Their Names: Drama of the Black Lives Matter Era

Say Their Names: Drama of the Black Lives Matter Era

Deborah R. Geis

2022-07-24 Volume 1 • Issue 1 • 2022 • Crossroads • 71-80

Performance Reviews


Production Review: Skeleton Crew

Production Review: Skeleton Crew

kb saine

2022-07-24 Volume 1 • Issue 1 • 2022 • Crossroads • 81-83

Book Reviews


Breaking It Down: Audition Techniques for Actors of the Global Majority

Breaking It Down: Audition Techniques for Actors of the Global Majority

Runako Jahi

2022-07-24 Volume 1 • Issue 1 • 2022 • Crossroads • 85-88